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・ The Gang Show
・ The Gang That Couldn't Shoot Straight
・ The Gang That Couldn't Shoot Straight (film)
・ The Gang That Sold America
・ The Gang's All Here
・ The Gang's All Here (1939 film)
・ The Gang's All Here (1941 film)
・ The Gang's All Here (1943 film)
・ The Gang's All Here (album)
・ The Gangs of New York (book)
・ The Gangstanators
・ The Gangstas
・ The Gangster
・ The Gangster Chronicles
・ The Gangster of Love
The Gangster We Are All Looking For
・ The Gangster's Life
・ The Gangsters
・ The Gannon Award
・ The Gants
・ The Ganymede Club
・ The Ganymede Takeover
・ The Ganzfeld
・ The Gap
・ The Gap (book)
・ The Gap (Bryn Haworth album)
・ The Gap (film)
・ The Gap (Joan of Arc album)
・ The Gap (song)
・ The Gap (Sydney)


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The Gangster We Are All Looking For : ウィキペディア英語版
The Gangster We Are All Looking For

The Gangster We Are All Looking For is the first novel by Vietnamese-American author lê thi diem thúy, published in 2003. It was first published as a short piece in ''The Best American Essays of 1997'' and was also awarded a Pushcart Prize “Special Mention.”〔Huand, Guiyou. ''Asian American Poets: A Bio-Bibliographical Critical Sourcebook''. CT: Greenwood Press, 2003. 201-203. Book.〕
The novel is a fragmented sequence of events recollected by a nameless narrator. In a first-person narrative, the narrator tells the stories of her past experiences as a Vietnamese immigrant. The time and place continuously shift throughout the novel; the story takes place both in Vietnam and America. The novel is concerned with themes of identity, family dynamics, war, and liberation. Images of water are prominent symbolically and literally throughout the novel.〔Baumann, Paul. "Washing Time Away." ''The New York Times''. 25 May 2003. Print.〕〔Nguyen, Chau. "In Search of the Gangster." ''UCLA Institute: Asia Pacific Arts''. 9 April 2004. Web.
==Narrative Style==
The novel is told through the voice of the immigrant girl when she is six, and continues building until she was 26.
The flow of the prose is anachronistic, often jumping from life in America to life in Vietnam, at times even to a time in Vietnam before the narrator's birth. The tenses also switch from present tense to past and back. The novel is also told episodically fractured, because as the author stated, "memory, by its nature, is very fragmented".〔thúy, lê thi diem. "Fragments of Memory." ''Far East Economic Review''. 11 March 2004. Vol. 167, Iss. 10, pg. 52. Print.〕

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